Even the Rednecks get a fun, upbeat bluegrass instrumental that sounds pretty darn authentic to what you'd hear at a country fair.

The track that plays while fighting the 'monsters'/guys dressed in cool Halloween costumes sounds like it'd be right at home in a classic 80's slasher.

The battle against the Master Vampire, AKA Mr.

The theme for battling the Vamp Kids, a ridiculously awesome orchestral metal piece fit for dueling their lame black magic with not-lame Netherborn powers.Your fight against Mutant Cousin Kyle gets backed by a song equal parts menacing and epic, complete with an ominous-sounding Jewish call to prayer.The Raisins Girls have a theme that sounds very familiar to anyone who's a fan of The Powerpuff Girls - except this one's got some extra kick to it.The fight against Morgan Freeman, the game's Superboss gets a badass Mexican-flavoured theme that wouldn't sound out of place in a Spaghetti Western gunfight.When this happens, the music changes to an energetic klezmer rendition of 'Kyle's Mom is a Big Fat Bitch' from the Movie! In the second round with Alternate Human Kite, he calls in Kyle's mom, Sheila.Peppermint Hippo gets three unique songs: one for the Lap Dance MiniGame, a basic battle theme, and a boss theme once Spontaneous Bootay joins in.Opening the menu treats you to a grandiose orchestral track that's way too epic for a game about a kid farting their way through timeline shenanigans.Awesome Music: The soundtrack freely hops around all different kinds of genres and still manages to sound great the entire time.For a more authentic final boss, it’s highly recommended to not play this level until you’ve completed everything else in the game (except maybe the battle with Morgan Freeman). While not the hardest final boss, it definitely looks the part a lot more than the one from the main storyline. Timothy, the latter as a large figure controlling the battlefield. In Bring The Crunch, you fight an alien in the hellish mind of a possessed Dr.In From Dusk Till Casa Bonita, Michael Jackson is summoned via a portal from Hell (everyone calls him Corey Haim, since that’s who was originally supposed to be summoned), and you have to fight him on a concert stage in front of a cheering audience.

You and the whole team get to battle your way through several of your companions from the first game before finally having an utterly epic showdown with your own past self.

Really, if you've made it this far in the game, it won't pose much of a challenge compared to the fights before it, with King Douchebag arguable being the 'real' final boss in terms of combat challenge and applying all the tactics you've learned throughout the game, while this battle really only exists for comedy as well as to wrap up Mitch Conner's arc. In this fight, you only have to contend with a Dual Boss versus The Coon and the Human Kite who start by trading shots against each other before turning on you while you outnumber them four to two. Anti-Climax Boss: The final boss, the second Mitch Conner encounter, can come off as anticlimactic compared to the other two battles in Chapter 5 against the Woodland Critters and King Douchebag (the latter qualifying as a sort of Boss Rush)- which are more challenging due to the number of units you had to deal with in those fights on top of their stronger attacks.While there are moments where Cartman starts butting heads with Mitch Cooner whenever the later tries to get under New Kid's skin, people both in and out of universe think it was just an attempt to convince people he has no control over Mitch. Alternate Character Interpretation: While it's safe to say Mitch Conner was just another alter ego of Cartman's, what is more debateable is how much Cartman regrets his actions as Mitch Conner with implications that Cartman's regrets stem specifically from how he was hurting the New Kid, whom he considers his student and close friend.

South park human kite moments